För er som inte förstår ett dyft av vad Azerbajdzjan gör på scenen i numret, här kommer förklaringen:

”The staging is building up slowly in an empty room covered with chalk signs from the lyrics of the song. The room represents the complex self-destructive relationships, inner barriers and hidden truth – the skeletons. The man in mask serves as a ”bad boy” with symbolic ladder showing the emotional distance between two lovers. Being a strong woman the heroine eventually overcoming her self-destructive feelings. The symbolic walls are down well as the bad boy’s mask. He is willing to re-connect with her but it’s far too late. She made him take off the mask he was wearing in their relationship but she is leaving him alone in the room that she bravely escaped. At the end performance four backing vocalists join Dihaj on stage.”